{"id":55,"date":"2012-08-18T18:49:58","date_gmt":"2012-08-19T01:49:58","guid":{"rendered":"http:\/\/blog.jeremygoldberg.com\/?p=55"},"modified":"2012-10-11T17:41:18","modified_gmt":"2012-10-12T00:41:18","slug":"tools-of-the-trade","status":"publish","type":"post","link":"http:\/\/blog.jeremygoldberg.com\/?p=55","title":{"rendered":"tools of the trade and other conundrums"},"content":{"rendered":"

hey, i have one of those!!<\/h3>\n

Does having professional equipment make you a professional? If you are a professional (ie. making a living from your profession), what kind of threat does an influx of new technologies and talent have on the existing order? And what pitfalls exist in those chaotic periods of influx?<\/p>\n

With the introduction of cameras like the Canon 5D Mk 3 or the Nikon D800, professional level cameras have reached \u00e2\u20ac\u0153affordable\u00e2\u20ac\u009d levels. It may still be $3k to pick up a bare bones version, but that\u00e2\u20ac\u2122s a far cry from spending $60k on an IQ180 digital back.<\/p>\n

Although affordability is generally good, some professional photographers don\u00e2\u20ac\u2122t like the hobbyist photographer proclaiming, \u00e2\u20ac\u0153Hey, that\u00e2\u20ac\u2122s what I shoot with, too.\u00e2\u20ac\u009d It rarely happens when you\u00e2\u20ac\u2122re using a $60k camera. It pro\u00e2\u20ac\u2122ly doesn\u00e2\u20ac\u2122t happen to neurosurgeons much, either – \u00e2\u20ac\u0153Hey, that\u00e2\u20ac\u2122s the same Stryker Saw I have at home!\u00e2\u20ac\u009d<\/p>\n

\"\"<\/a><\/p>\n

While photographers may complain that now everyone who has a 5D3 or D800 thinks they\u00e2\u20ac\u2122re a professional photographer, writers have always had to deal with this challenge. Writing doesn\u00e2\u20ac\u2122t have a big \u00e2\u20ac\u0153cost barrier\u00e2\u20ac\u009d to entry, so I\u00e2\u20ac\u2122m sure people were like, \u00e2\u20ac\u0153Hey Shakespeare – look at this new quill I bought and all this ink. I bet I have enough ink for like 100 sonnets here!\u00e2\u20ac\u009d<\/p>\n

The democratization of media is a modern innovation (although it pro’ly started with the printing press), but it does have its downsides. Before ePublishing, you had to convince a real publisher that your book was worthy of being printed and distributed (and maybe promoted if you were lucky). Many worthwhile books got passed over, and people without the right connections might have been overlooked. But that barrier also served to maintain a certain quality level.<\/p>\n

When I was a kid, I had to hunt through the shelves at my local bookstores to try to find book 3 of a series where I\u00e2\u20ac\u2122d already read books 1,2 and 4. Now I can just blaze through them in order on my Kindle. However, when I\u00e2\u20ac\u2122m looking for a new book on Amazon, there are tons of eBooks that are, to use the technical term for it, atrocious. So I find myself doing the electronic equivalent of hunting through bookshelves – but instead of looking for specific authors, I\u00e2\u20ac\u2122m trying to find the diamonds in the increasingly rough landscape. Sites like GoodReads have helped to simplify the process a bit, but it\u00e2\u20ac\u2122s still quite challenging.<\/p>\n

Authors who are already established or have some cultural prominence are, counterintuitively, the ones who benefit most from this democratization. They are no longer at the mercy of big publishers, bookstores, etc. The people who haven\u00e2\u20ac\u2122t breached those old world barriers are usually the ones that are least able to benefit. Before, you might have to convince one publisher or agent that your book was worthwhile. Now, you have to convince 100,000 readers to buy that book – you have to be author and marketer. Promotion is not as simple as \u00e2\u20ac\u0153good worth of mouth\u00e2\u20ac\u009d – if it were, studios wouldn\u00e2\u20ac\u2122t spend $40 million promoting movies that will be accessible at every multiplex in the country anyways. (Although that skips part of the formula – those multiplexes wouldn\u00e2\u20ac\u2122t have that many showings if the studio hadn\u00e2\u20ac\u2122t guaranteed a big media buy).<\/p>\n

If you are author and marketer, then you may start to do what publishers and studios and other corporations do – create your own fake word of mouth. Look at the case of John Locke<\/a> and others, who created hundreds of fake Amazon reviews in order to promote their own work. Brilliant? Maybe not. Effective? Definitely. Yet if you are just a “good writer”, you are now competing not only against other good writers, but people who may be much better marketers, advertisers, fake promoters, etc. The authenticity of what you’re viewing is always to be questioned – whether it’s on Amazon, Instagram or the 6pm news. Everyone is evolving with the shifts in culture and technology, and not all that evolution is beneficial.<\/p>\n

In any event, like most things that \u00e2\u20ac\u0153simplify\u00e2\u20ac\u009d our life, these innovations come with their own new complexities. Email and cell phones were invented as devices of convenience, efficiency and time-saving. Yet how much of our day is spent on these \u00e2\u20ac\u0153time-saving\u00e2\u20ac\u009d innovations? I\u00e2\u20ac\u2122m not sure, but I\u00e2\u20ac\u2122m going to check my new time-boxing app to figure out how much time I spend on email and cell phones, then I\u00e2\u20ac\u2122ll put it into Google Docs and make a pie chart, then with all the time I\u00e2\u20ac\u2122ve saved, I\u00e2\u20ac\u2122ll look at some webcams of beaches.<\/p>\n","protected":false},"excerpt":{"rendered":"

hey, i have one of those!! Does having professional equipment make you a professional? If you are a professional (ie. making a living from your profession), what kind of threat does an influx of new technologies and talent have on the existing order? And what pitfalls exist in those chaotic periods of influx? With the […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[89,23,28,27,50,91,88,90],"class_list":["post-55","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-author","tag-canon","tag-nikon","tag-phase-one","tag-photography","tag-professional","tag-stryker-saw","tag-writing"],"_links":{"self":[{"href":"http:\/\/blog.jeremygoldberg.com\/index.php?rest_route=\/wp\/v2\/posts\/55","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.jeremygoldberg.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.jeremygoldberg.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.jeremygoldberg.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.jeremygoldberg.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=55"}],"version-history":[{"count":0,"href":"http:\/\/blog.jeremygoldberg.com\/index.php?rest_route=\/wp\/v2\/posts\/55\/revisions"}],"wp:attachment":[{"href":"http:\/\/blog.jeremygoldberg.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=55"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.jeremygoldberg.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=55"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.jeremygoldberg.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=55"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}